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Heritage Treasures of Hermès Creations - Private Collection - Visit N°INV.gf107 Hermès 24 Fg St Honoré Paris Déposé "Sac de dame" 1926 design François Roques Enchape at the back of the bag Wallet bag Flap closure Inside top: 1 gusset, 1 flap with snap closure, 1 large patch pocket, 4 patch pockets, 1 compartment Inside bottom : 1 compartment Glazed lamb leather, polished brass L. 265 mm Inside the bag Signature Magazine L'art vivant 1926 Hello, I am Gaspard, your guide. We are on the first floor where we are presenting a set of clutch bags, the first handbags and some curious and avant-garde inventions to start the 20th century crossing in innovation. Notably the double-pocket belt-leg bag to be fixed to the belt, the irresistible evening bag-minaudière with its baguette handles or the enigmatic "Stick of chalk" which has kept all its freshness in the design of its asymmetrical line. Reissued, it finds its place in the accessories of the 21st century woman's wardrobe. Hermès 24 Fg St Honoré Paris Sac-pochette minaudière période1920-1925 N°INV.gf108 signature Sac pochette Fermoir baguettes bord-à-bord Intérieur : large soufflet, 1casier rigide avec étui à rouge, 1 poche à soufflet acec 2 compartiments Veau doblis, roseau, écaille, cuir L. 180 mm Intérieur du sac Hermès 24 Fg St Honoré Paris Porte valeurs période 1920 - 1025 Intérieur du sac Signature N°INV.gf109 Etui porte valeurs 1 rabat avec mortaise Fermoir à patte Intérieur : 1 soufflet 2 compartiments Agneau glacé, satin, argent L. 110 mm Hermès 24 Fg St Honoré Paris "Sac de dame" période 1920-1925 Sac à main porte valeurs 1 poignée Fermoir à clapet Détail du fermoir N°INV.gf110 Intérieur : porte-monnaie articulé horizontalement sur pivot avec double compartiments et fermoir Cuir de Russie, cuir de veau velours, laiton argenté L. 225 mm Intérieur du sac Hermès 24 Fg St Honoré Paris "Bugatti" 20 cm période1920-1925 Sac à main 2 poignées Fermeture à glissière Intérieur : 2 poches plaquées Peau de lézard, cuir d'agneau, toile, argent L. 200 mm Marquage au fer chaud à l'intérieur du sac N°INV.gf111 Détail de la fermeture à glissière Hermès Déposé "Sac pour le sport" introduit en1924 remis en collection en 2009 Sac à main 2 poignées Fermeture à glissière Intérieur : libre espace Cuir d'éléphant, cuir d'agneau, argent L. 190 mm Détail du cadenas signé Hermès N°INV.gf112 Anecdote: the favorite bag of the cantatrice Gana Walska Hermès Frères Advertising 1924 This bag is a jewel in this size (20 cm). It was reissued in 2009 under the name "Polochon" and "Sac Mademoiselle" a little later. Find its characteristics in the book "Mémoire des sacs Hermès II - sacs 2 poignées" ...Quickly there will be soon no more. Hermès 24 Fg St Honoré Sac ceinture-jambière période 1920-1925 Sac ceinture à boucle 2 poches à rabat Fermoirs bouton pression Intérieur haut et bas : 1 compartiment Cuir d'agneau, acier L. 145 Intérieur poche haut Signature N°INV.gf113 Hermès 24 Fg St Honoré Déposé "Trois clous " période 1920-1925 Sac pochette1 rabat Fermoir pression Poussoir laiton sur cuir Passe-main N°INV.gf114 Intérieur : 1 soufflet, 1 compartiment, 3 poches plaquées Cuir d'éléphant, cuir d'agneau, laiton poli L. 230 mm Passe-main au revers Intérieur du sac Signature Hermès 24 Fg St Honoré Déposé Sac fermoir décentré 1930 Sac pochette 1 rabat Fermoir à patte Intérieur : 1 soufflet, 3 poches plaquées N°INV.gf115 Box-calf, cuir d'agneau L. 190 mm Intérieur du sac Signature Hermès 24 Fg St Honoré Déposé Femoir "Pavé" 1923 Sac pochette 1 rabat avec mortaise Fermoir pivotant et coulissant Intérieur : 1 soufflet, 2 poches plaquées. Non solidaire : 1 miroir gainé N°INV.gf116 Peau de chagrin, cuir d'agneau, argent L. 190 mm Détail du fermoir pivotant et coulissant Intérieur du sac Signature Hermès 24 Fg St Honoré Déposé "Bâton de craie" 1926 Remis en collection (variante) 1977 Dessiné par François Roques N°INV.gf117, Sac pochette1 rabat avec mortaise Fermoir à patte ivoire Passe-main Intérieur : 1 soufflet, 2 poches plaquées 1 poche à rabat avec fermoir pression. Non solidaire : 1 miroir gainé de cuir, 1 poche forme enveloppe avec fermoir pression Peau de porc, cuir d'agneau, ivoire L. 195 mm Advertising 1930 Intérieur du sac Signature Monsieur & Madame, en croisière Hermès 24 Fg St Honoré Paris Sac pochette 1917 appelé plus tard "Amazone" circa 1930 Sac pochette 1 rabat Fermoir à patte avec ceinture coulissante boucle argent N°INV.gf118 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 1 compartiment. Non solidaire : 1 miroir gainé de cuir, autres... Cuir de Russie grain croisé, cuir d'agneau, argent L. 240mm Intérieur du sac Signature "Fancy leather clutch with belt and double buckle. This Hermes model, in the color of your choice, closes in the front with a belt and a bow tie buckle. The belt usually matches the tie or blouse. Finally, let's talk today about a clutch that is becoming a favorite of Parisian women. It is made of a fancy leather imitation guilloche, and instead of a clasp, it buckles by attaching the flap of the bag with a belt that crosses and passes through a double plain silver buckle without the small designs that we see on the leather. Inside, there are all the makeup gadgets that some fashionable girls use where they can be seen by the most curious people. For a while, this fashion of touching up makeup in public was considered a bad practice, which became very widespread" Translated from the Spanish. Fashion magazine, 1917 N°INV.gf119 Hermès 24 Fg St Honoré Paris "Cachet" période 1920 -1925 Sac pochette 1 rabat Fermoir spatule pivotant argent Détail du fermoir Intérieur du sac Signature Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Box-calf , cuir d'agneau, argent L. 225 mm Hermès 24 Fg St Honoré Paris "Aigle" 1932 Sac pochette 1 rabat Fermoir pression Poussoir spatule argent articulé N°INV.gf120 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments, 1 miroir gainé Peau de porc , cuir d'agneau, argent L. 215 mm Intérieur du sac Signature N°INV.gf121 Hermès 24 Fg St Honoré Paris "Loquet" 1931 Détail du fermoir chiffré Sac pochette 1 rabat avec mortaise Fermoir à patte avec spatule articulée Passe-main Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Cuir de Russie grain croisé, cuir d'agneau, argent L. 215 mm Hermès - sac du soir "Loquet", Fémina magazine 1931 Hermès 24 Fg St Honoré Paris "368" 1937 Sac à main 2 poignées 1 rabat Fermoir pression Poussoir argent chiffrée Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Cuir de Russie grain croisé, cuir d'agneau, argent L. 215 mm N°INV.gf122 Intérieur du sac Signature Dos du sac Break champagne, pistachios of Bronte, Taggiasca olives and some questions from visitors Martine R : Tell us about the way you were able to gather so many pieces unknown to the general public? GF Desire comes first. This inner strength, which has been with me since I was young, allows me to achieve my goals in general. In "bargain hunting" mode, I don't know anyone anymore and auctions are a perilous slide when I venture on this ground. I am very moved when I have the opportunity to buy directly from families who own old pieces. Almost intrusive, I question to know everything about the object that will be welcomed in my collection. I am very excited when I am contacted and overjoyed when I get my way. When the Internet did not exist, the world and the international art market were in limbo. The rarity and interest of objects was unknown. Now we have a vision of the market in the world. We know the rarity and value of the pieces and make our acquisitions accordingly. Claire B You have written nearly a hundred books, notably on Hermès objects. It's a fascinating but laborious job. How do you go about it? GF It's a logical continuation and a desire to share and draw into my universe the people who read me. A way to communicate the taste of collecting to all those who have the desire to discover the flavors of the life of a collector in everyday life. There is no stress or constraint in what I do. Some rigor maybe ! Hermès 24 Fg St Honoré Paris "366" 1937 Sac à main 2 poignées à dés 1 rabat Fermoir pression Poussoir argent N°INV.gf123 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Box-calf, cuir d'agneau, argent L. 215 mm Intérieur du sac Signature Dos du sac N°INV.gf124 Hermès 24 Fg St Honoré Paris "Fontaine" 1929 Sac pochette 1 rabat avec mortaise Fermoir spatule argent articulé Passe-main Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Cuir de Russie grain croisé, cuir d'agneau, argent L. 205 mm Intérieur du sac Signature Hermès 24 Fg St Honoré Paris période 1920 -1925 Détail signature N°INV.gf125 Sac pochette 1 rabat à oeillet Fermoir à spatule mouvementée argent Intérieur : 1 soufflet, 2 poches plaquées, 1 large poche plaquée, 1 compartiment Peau de chagrin, cuir d'agneau, argent L. 220 mm Intérieur du sac Signature Hermès 24 Fg St Honoré Paris "Avion" 1929 Sac pochette 1 rabat avec mortaise Fermoir ailette à double spatule articulé argent Passe-main Intérieur : 1 soufflet, 2 poches plaquées, 1 large poche à rabat avec fermoir pression, 1 compartiment N°INV.gf126 Peau d'éléphant, cuir d'agneau, argent L. 235 mm Signature Détail du fermoir Intérieur du sac Hermès 24 Fg St Honoré Paris "Ecu" 1929 Sac pochette 1 rabat avec mortaise Fermoir à spatule articulée argent Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments N°INV.gf127 Peau de crocodile Porosus, cuir d'agneau, argent L. 245 mm Détail du fermoir Intérieur du sac Signature Provenance : Owned by Jacqueline Delubac, 3e wife of Sacha Guitry Hermès 24 Fg St Honoré Paris "Stella" 1935 Sac pochette 1 rabat avec mortaise Fermoir clip à spatule argent N°INV.gf128 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Box-calf, cuir d'agneau, argent L. 220 mm Intérieur du sac signature Détail du fermoir Hermès, catalogue commercial 1935 Hermès 24 Fg St Honoré Paris "Rapp" 1936 Sac à main 2 poignées à dés 1 rabat Fermoir à patte N°INV.gf129 Dos du sac Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Peau de porc, cuir d'agneau, laiton L. 220 mm Intérieur du sac Signature Hermès 24 Fg St Honoré Paris "Duc d'York" période 1920 -1930 Détail signature sur 2 lignes Sac pochette 1 rabat Fermoir à patte N°INV.gf130 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Peau de crocodile, cuir d'agneau L. 230 mm Intérieur du sac Signature Provenance : Owned by Caroline Reboux Acquisition : Auction succession CR -19/05/2019 Etude Anton à Montreuil/Mer Déclinaison du modèle en cuir de Russie grain croisé Intérieur du sac Signature sur 3 lignes N°INV.gf131 Hermès-Paris 24 Fg St Honoré Paris "Annabella" 1936 Sac pochette 1 rabat Fermoir argent sur rail coulissant N°INV.gf132 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Peau de crocodile Porosus, cuir d'agneau, argent L. 255 mm Intérieur du sac Signature Détail du fermoir Signature Déclinaison du modèle en peau de porc N°INV.gf133 Hermès 24 Fg St Honoré Paris "Poker" ligne introduite en 1936 N°INV.gf134 Sac pochette 1 rabat Fermoir à patte Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Peau d'agneau glacé, cuir d'agneau L. 215 mm Hermès-Paris Porte valeurs ligne"Poker" introduite en 1936 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche plate L. 165 mm N°INV.gf135 Intérieur du sac Signature Hermès-Paris 24 Fg St Honoré "Pan" introduit en 1936 Sac pochette 1 rabat Fermoir à patte argent N°INV.gf136 Détail signature Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments Peau de crocodile Porosus, cuir d'agneau, argent L. 230 mm Intérieur du sac Signature Hermès-Paris 24 Fg St Honoré "Acropole" 1937 Détail de la poignée siamoise N°INV.gf137 Sac à main Poignée siamoise 1 rabat Fermoir à patte argent Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiment Box-calf, cuir d'agneau, argent L. 215mm Détail signature Intérieur du sac Hermès 24 Fg St Honoré Paris "Marlène" 1936 Détail de la poignée siamoise N°INV.gf138 Sac à main Poignée siamoise 1 rabat Fermoir à patte à godrons Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiment Box-calf, cuir d'agneau L. 230 mm Intérieur du sac Signature Jacqueline Delubac actrice, wife of Sacha Guitry, 1936 When the "Marlene" bag was released by Hermès in 1937, the actress Marlene Dietrich was in the midst of her fame as the lead in the film "Angel". This legendary actress and femme fatale was a loyal customer of Hermès. Hermès-Paris 24 Fg St Honoré "Fortunia" 1935 remis en collection en 2019 Intérieur : 1 soufflet, 2 poches plaquées, 1 poche à rabat avec fermoir pression, 2 compartiments N°INV.gf139 Peau de crocodile Porosus, cuir d'agneau, argent L. 235 mm Sac pochette avec 2 rabats à oeillet Double fermoir clips spatule Détail du fermoir à 3 spatules argent dont 2 articulées Signature Intérieur du sac Signature Duchesse de La Rochefoucauld Photo argentique 1949 Provenance : famille La Rochefoucauld Acquisition : HdV Giraudeau à Tours, 2019 Hermès-Paris "Market" 17 cm 1945 Réédition pérenne Publicité de presse, 1945 N°INV.gf140 Assise du sac Signature Sac bourse 1 poignée réglable Fermeture à lien coulissant Intérieur : 2 poches plaquées à 1 soufflet en vis-à-vis Veau doblis, cuir d'agneau, laiton L. 170 mm "Le Salon du 1er" If you wish to sell Hermes items, we will take care of your transactions. Contactez nous Direction PALIER N°2 (in preparation)

Frimousse d'or - Les tabernacles de la beauté : a chapter on powder boxes: more than 500 pieces photographed. Book on sale at Arfon-maisondedition Nailly Paris Marquitta, boite de poudre et flacon disponibles à la vente. Prix 2800 € Contact Sommaire, page 1 - 403 pages Reproduction interdite Copyright Arfon MDE 2013 / Copyright Geneviève Fontan 2013 Frimousse d'or - Les tabernacles de la beauté par Geneviève Fontan Acheter

Xavier de Poret, a 20th-century animal painter, is one of the favourite designers of the Carrés Hermès collectors. Les Huppes (lot 90 vente du 15 décembre 2021) Nom d'un chien ! (French expression for: a great astonishment) The names of the squares were given by Hermès when they were created. To the painter's astonishment, the pigeons became turtledoves, the dachshunds were called bassets and the roe deer, hinds! Carrés d'art has kept the official name given by Hermès. The scarf "les tourterelles" so named by Hermès represents doves. The "bassets" scarf represents dachshunds. These are the two dachshunds of Xavier de Poret's wife, named "Ariette" and "Sophie". The deer scarf represents roe deer No cats at Xavier de Poret Xavier de Poret has never designed cats for a Hermès square. It was his brother Jacques de Poret who drew "Chats persans", the only square by Jacques de Poret for Hermès. (source: Roselyne de Poret, daughter of the artist) An update on an enigmatic square The scarf representing "horse and hounds", drawn and signed by Xavier de Poret, was printed in 200 copies in several colours by the Colcombet firm in Lyon (source: François de Poret, son of the artist). It is not part of the Hermès collection. opposite: Horse and pack dogs, partial view without borders Xavier de Poret (1894-1975) Xavier de Poret was the son of Maurice de Poret and Hélène de Mousin de Bernecourt. He grew up in the castle of Face-Les-Lys near Fontainebleau. Very early on he developed a gift for drawing. Surrounded by stables and aviaries, he had models to draw throughout his career as an animal artist, studying the attitudes and poses of animals in fascinating detail and realism. In 1920, he married Juliette d'Onciaux de la Bâtie. They settled in Riaz in Gruyère, Switzerland, where she owned the Château de Plaisance, the former residence of the bishops of Lausanne. He painted equestrian pictures of Queen Elizabeth II and her children, as well as portraits of Belgian and Luxembourg sovereigns, which earned him recognition as a "great worldly portraitist". Poret family archives At the sale to be held in Cannes on 15 December 2021, auctioneer Thierry Noudel-Deniau will present a group of drawings and scarves by the artist, including exceptional pieces from the Poret family. A rare print on unrolled satin representing "Les Coqs de Bruyère", kept by the author, will be included in this exceptional sale. Les coqs de bruyère - unique unrolled copy, original proof for the Hermès square of the same name. Press review Magazine L'éperon, 20 octobre 2010 Photo from left to right: Gerrtje Hesse qui tiens le carré Les bottes, Jacques de Poret (frère de Xavier de Poret). Pénélope Fillon Odile Reynaud, Roselyne de Poret (fille de XdP, Laurence de Metz (petite fille de XdP) Carré Monarch Le Monde d'Hermès, 1979 END

Poster published by Hermès for the commemoration of the "Fête de France 1983 at Bloomingdale's". The dominant turquoise and grey border is the only way to identify this limited edition square as there is no special mention printed on the silk square. Detail of the poster EXTRAIT DE "CARRE D'ART - CARRE HERMES - EDITIONS LIMITEES" Huiles parfumées (Anciennement appelé : Parfum) Année 1985 (Ed. Collection Hermès) - Design composé d’étiquettes anciennes ••••••••••••••••••••••••••••••••••••••••••• Fête de France 1983 Bloomingdale's (bordure bleue turquoise) EXTRACT FROM "CARRE D'ART - CARRE HERMES - LIMITED EDITIONS" to be published Scented oils (Formerly called: Perfume) Year 1985 (Ed. Collection Hermès) - Design composed of antique labels ••••••••••••••••••••••••••••••••••••••••••• Fête de France 1983 Bloomingdale's (turquoise blue border) Year 1983 (1st Ed.- Ed.: Limited Edition for Bloomingdale's) Published to commemorate the Fête de France at Bloomingdale's, a promotional event initiated by Bloomingdale's Stores. - Bloomingdale's is an American department store chain, created by the two Bloomingadale brothers in 1872, reputed to be a luxury brand with 36 stores throughout the United States. - As early as September 13, 1983, the French flag flew over Bloomingdale's in the skies over New York City and in the skies over the 14 American cities of the store's other branches. The promotional event was the largest and most comprehensive ever organized by the famous store. It was called "Fête de France". It took place until November and featured a wide range of French products. Following the intervention of the French Minister of Foreign Trade and Tourism, Mrs. Edith Cresson, the Fête began with a gala to benefit the Claude Monet Gardens in Giverny. Colors with grey border, dominant turquoise blue / 90 x 90 cm /100% silk THE EVENT COMMENTED IN THE PRESS Period newspaper clippings, 1983 E N D

Fashion# Accessories#Vintage#New book#Scarf Hermès# Avaiable Automne 2021 To my dear reader friends, I have often thought of you while writing these pages and my greatest pleasure is the satisfaction you will find in leafing through these books which complete the Carrés d'art Trilogy. Thank you to Aida Garifullina who has agreed to write the preface to Carrés Hermès Editions Limitées. The classification is in the following logical order: the name of the square from the classic Hermès collection, followed by the name(s) of the limited edition that uses the design of the square from the Hermès collection. By consulting these few pages, you will be able to get an idea of the graphic design of this 204-page book, which completes the Carrés d'art trilogy. EDITIONS LIMITEES 59€ pages intérieures THE CONCEPT TRILOGIE OF CARRES D'ART Carrés d’art IV Réédition 2021 - Révisé draws up an inventory of the drawings of squares published by Hermès with dimensions between 55 and 100 cm •• Éditions Limitées makes an inventory of the squares in the Hermès Classic Collection (see CDA IV) bearing a mention or distinction to identify the event. •• Éditions Spéciales lists the squares specially printed by Hermès with an original design for an advertising, commemorative or special event or for a good cause. Series, partnerships and exceptional squares complete the inventory. A dictionary of illustrators and their designs for scarves closes this volume. EDITIONS SPECIALES 46 € pages intérieures TRILOGY OF ART CARRES / NUMBERED EDITION / 200 COPIES Each of the three books is numbered from 000 to 200. All three books are presented in a slipcase. 250 € Cover of the three books: photo taken at a spice merchant in the market of Palafrugel, Costa Brava in Spain

Jacqueline Delubac (1907-1997) was the third wife of Sacha Guitry Gaby Morlay and Jacqueline Delubac with her bag, a novelty from Hermès in 1936. Jacqueline Delubac and Sacha Guitry Jacqueline Delubac is a French actress. I want to dance, to have fun with people my own age," she declared before parting with the illustrious 50-year-old. Jacqueline Delubac The young woman is ingenious, and determined. Her assets, combined with her beauty, ensure her a future free of gloom. Jacqueline Delubac is a French actress. She was born on 27 May 1907 in Lyon into a bourgeois family and moved to Paris in 1927. She took dance and singing lessons and quickly obtained roles in revues, theatre and cinema. Introduced to Sacha Guitry by one of his friends, Jacques Trébor, SG offered her a role in "Villa à vendre" (1931). She accepted. They fell in love. They married on 21 February 1935 and went through a divorce in 1939. "I can no longer live centred on this theatre life. I have too many curiosities, too many desires. I want to dance, to have fun with companions of my own age", she declared before separating from the illustrious fifty-year-old. Clutch bag Hermès 24 FG ST HONORE crocodile porosus - silver clasp, cira 1930, having belonged to Jacqueline Delubac Jacqueline Delubac - Years 1930 Press clipping 1977 Egeria of French good taste She played in 23 of Sacha Guitry's plays and acted in 11 of his films. After her divorce, she hardly acted in more than ten films to devote herself to her modern art collections, having made the voluntary and audacious choice to move on. At the time, she was one of the most attractive French women. Her wardrobe, made up of pieces from the great couturiers, was in exquisite taste; she wore shoes from Vivier, Perugia and other great boot makers, bought her trunks and wardrobe from Louis Vuitton and her bags, gloves and accessories from Hermès. Paris Match,nN° 36 du 26 novembre 1949 - La Mode de Jacqueline Delubac à New York" In 1949, Paris Match magazine voted her "the best dressed woman in Paris". The magazine knows a lot! Always present behind the lens at social evenings, openings and exhibitions, the flashes of the magazine's photographers crackled as she passed. She made the headlines in Paris. Her elegance and distinction were to be the order of the day until her accidental death in 1997. Death at the Faubourg As she was leaving the Hermès boutique in the rue du Faubourg-Saint-Honoré, a cyclist hit her head on the road. She was 90 years old at the time. After Guitry From the 1940s onwards, more keen than ever on modern art, she acquired paintings in this vein. Her first acquisition was a Dufy "L'Atelier aux raisins" in 1942. Modigliani, Picasso, Dubuffet, Rouault, Fautrier, Bacon... joined her collection, making her home more than a museum, a "sanctuary". The pieces in her collection would prove to be masterpieces. Georges Braque (1882-1963), "Woman at the easel", 1936. Oil on canvas, 92.5 x 92.5 cm. Jacqueline Delubac legacy, 1997. Lyon, Musée des Beaux-Arts Fragment of Claude Monet's "Le déjeuner sur l'herbe" when he was in Jacqueline Delubac's Quai d'Orsay flat. At the same time, she became the companion of a wealthy diamond dealer of Armenian origin, Mihran Eknayan. They married in Neuilly in 1981. Eknayan was also an art lover and had a large collection of Impressionist paintings. He died in 1985. She inherited his fortune and his collection of paintings and gave an important piece of her late husband's collection to the French State: a major fragment of Claude Monet's painting "Le Déjeuner sur l'herbe". At the same time she moved into a large flat on the Quai d'Orsay. Succession In 1993, Jacqueline Delubac bequeathed most of the works in the Delubac-Eknayan collection, 35 paintings, to the Musée des Beaux-Arts in Lyon, her home town. As for her personal collection of clothes, from the 1960s to the 1990s, more than 600 pieces, it went to the Musée de la Mode et du Textile in Paris. Three Hermès bags that belonged to him were sold at an auction at the Metz auction house in April 2021. Jacqueline Delubac shortly before her death The exhibition at the Musée des Beaux-arts de Lyon 7 November 2014 - 16 February 2015 - Jacqueline Delubac "the choice of modernity" The exhibition paid tribute to Madame Jacqueline Delubac. For this occasion, the Musée d'Orsay lent the famous fragment of Claude Monet's emblematic work, "Le déjeuner sur l'herbe". END

THE PERFUMES OF COUTURIERS Fashion Perfume Bottle Hermès Couture Dog collar Médor Years 1925 Presentation Callot Soeurs is a French fashion house opened in 1895, 24 rue Taitbout in Paris 9e, founded by four sisters. The eldest of the sisters, Marie (wife Gerber), who showed a taste for dressmaking at a very young age, was trained by her mother, a lacemaker. Madeleine Vionnet was an apprentice at Callot Soeurs until 1906 and had nothing but good things to say about this fashion house. In 1914, the small company, in full expansion, moved to large premises at 9-11 Avenue Matignon. In 1920 Marie Gerber took over the business under her own name until her death in 1927. Her son, Pierre, succeeded her in 1928. He was hit hard by the 1929 crisis and had to sell. Bought in 1937 by Marie-Louise Calvet, the Callot Soeurs company closed in 1953. In 1988, the Lummen family bought the rights to Callot Soeurs, then in 1995 those of Madeleine Vionnet. Les parfums Callot Soeurs The prestigious Christies auction house in France is located in the former Maison de couture de Callot Soeurs, a private mansion located at 9-11 avenue Matignon, Paris 8e. Avenue Matignon by Callot Soeurs-Paris, paperweight bottle in its gilded cardboard tray case, 1925 Bottle and its case in two loose parts At the threshold of its glory, Callot Soeurs launched several perfumes, including the mythical and rare "Avenue Matignon" in 1925. The model shown above, straight out of the Callot attics, still bears its original labels. One of the labels indicates the double function of the container. Indeed the bottle has the shape, volume and weight of a paperweight. Labels under the bottle The first Callot Soeurs-Paris fragrance was released in 1923. Pioupiou, cira 1923 - La fille du roi de Chine, 1923 Chichicallot, 1923 Mariage d'amour, c. 1925 - presentation box La cabine des mannequins, circa 1925 Bel oiseau bleu La cabine des mannequins, c. 1925, other presentations La fille du roi de Chine, 1923 La fille du Roi de Chine, 1923 Il pleut des baisers, 1923 Chypre, c. 1923 Louis d'or, 1923 Bel oiseau bleu, 1923 Chichicallot, 1923 Pioupiou, c. 1923 Avenue Matignon, 1925 La cabine des mannequins, c. 1925 T.S.F. L'enfer Le sourire de Cocéa ••• Jeep, c.1940 Bao, 1947 Mariage d'Amour Dieu du Jour, 1947 Seine et Oise Bao, 1947 - Mariage d'amour, 1947, other présentation Belt Hermès Collier de chien ... An idea by Callot Soeurs In 1927, the most daring of the Callot sisters, Marie Gerber, was looking for a belt to accessorise her designs. She asked Hermès to extend a dog collar with studs and bells to make a belt. With its legendary flair, Hermès produced its first belt in the Collier de chien style in 1949, called Créneau. The model evolved into a bracelet, a model that is always avant-garde at Hermès, under very evocative names. Belt Hermès, Créneau 1949 Fashion Callot Soeurs Callot Soeurs Paris - Robe du soir - Metropolitan Museum NY Wool and silk dress with metallic threads, 1924 Metropolitan Museum NY Callot Soeurs - sales room 1910 Ground sealed sign at 9 avenue Matignon in Paris END

Bottle "Le démon d'amour" for the scent "Chypre" 1920, presented in a "trunk" case covered with imitation leather paper. Pierre Vaudrey is a sculptor, specialising in the art of funeral ornaments. His business is located in the 20th arrondissement of Paris, in Père Lachaise, a place of peace where the dead live together. Advertisement "La poudre Coeur de Lys" Parfumerie de Vaudrey - in the foreground the powder box. Powder box "Coeur de Lys" Perfumery of Vaudrey Pierre Vaudrey (1873-1951) This regular visitor to Père Lachaise will not end his eternal life in the pantheonic cemetery to which he devoted part of his life as a sculptor. His eternal home is in Fontainebleau. Sculpture by Pierre Vaudrey In his second active life, the artist moved away from the tombs and will-o'-the-wisps, and became "Perfumer Select of the Riviera" around 1920. Haunted and caught up in his taste for sculptures from the afterlife, he designed bottles and boxes in which will-o'-the-wisp, faun or demon and memorial symbols flourished, directly inspired by his taste for the art of decorating eternal gardens. Including the sarcophagus boxes! There is a touch of humour in Vaudrey who mischievously transposes his attraction to funerary tastes to his artistic perfumery creations! Label on the bottom of the powder box Pierre Vaudray was a stone sculptor. He notably realized works for the Parisian Cemetery of Père Lachaise, the most famous cemetery in the world where stars and celebrities rest. In the 1920s, he changed genre and created a perfume house on the French Riviera which bears his name with the motto "Parfumeur select de la Riviera ". These glass creations are of undeniable quality. It is a fine and refined work where the faces and details are real sculptures. It goes without saying that his creations are marked with the symbol of the other world, even in the caskets that take the form of a coffin or sarcophagus. And this with a lot of humour. The sarcophagus boxes Other creations La Rose de Vaudrey (flame stopper) Le Démon d' Amour (fauna head cap) "Le Coeur pamé" (flame stopper" Any additional information on this perfumer will be welcome and can be introduced in this article. END

Hermès - Louis Barthou - Allée Vicor-Emmanel III - Allée Franklin Roosevelt 7 AVENUE VICTOR EMMANUEL III Located in Paris, this famous artery was once a dirt road. Today it is one of the most beautiful avenues in Paris: Allée Franklin Roosevelt. 1696: a dirt road laid out 1723: Allée de Cours 1763: Allée du Roule 1918: Allée d'Antin 1945: Allée Franklin Roosevelt (8th arrondissement) In 1696, the current Allée Franklin Roosevelt was a simple dirt road. In 1723, the path was embellished and transformed by the Duke of Antin, then Superintendent of the King's Buildings. The alley was named Allée du Cours. In 1763 it was renamed Allée du Roule and then Allée d'Antin. After 1870, it was extended beyond the Champs-Elysées roundabout to the Saint-Philippe-du-Roule church. At that time, the area was not safe and had a reputation for being a bad place to live. At the level of the roundabout was the Bal de Flore. Further down were the Isis Ball and the Negro Ball, then the Paris Garden, which disappeared in 1900 when the Grand Palais was built. In 1909, the fashion designer Paul Poiret set up his house at 26, avenue d'Antin. He brought with him a number of fashion and couture houses, gradually making the district the epicentre of Parisian elegance. In 1918, the avenue was renamed "Avenue Victor Emmanuel III", King of Italy. In 1945 it was renamed Allée Franklin Roosevelt. The number 7 The building was successively inhabited by Armand Nisard (1841-1925), French ambassador to the Holy See at the time of the separation of Church and State in 1905 and Louis Barthou (1863-1934), lawyer, journalist and politician. At Number 2 André Hunebelle had his shop selling glass specialities. Document holder HERMES Document holder for identity papers, Hermès, Period 1927, hot stamped with the name and address of Louis Barthou Detail of the zip LOUIS BARTHOU (1862-1934) Louis Barthou Louis Barthou was passionate about fine books and had a library of rare editions. Assassination of Alexander 1er and Louis Barthou in Marseille on 9 February 1934 He was appointed Minister of Foreign Affairs on 9 February 1934. A few months later, on 9 October 1934, Louis Barthou was assassinated in Marseille while accompanying the sovereign Alexander of Yugoslavia on an official visit. Louis Barthou was shot in the chest by mistake and died shortly afterwards at the age of 72. He is buried in the Père Lachaise cemetery in Paris. Before his death, he was Minister of State, President of the Council of Ministers and Minister of Public Instruction and Fine Arts, Minister of the Interior and Minister of Public Works. END